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Francis Ford Coppola’s Vietnam War Classic Apocalypse Now

Coppola is one of those directors who’s tried his hand at everything, never really settling down. He’s so in love with the cinema, so curious, that he’s never truly satisfied to return to the same subject matter twice. In fact, outside of the Godfather films, he’s never really revisited a genre. So Apocalypse Now is, at once, a definition of what he did, and nowhere near a definition of what he did. It doesn’t contain any of Coppola’s usual stylistic touches because he really has no formula or pattern for how he makes his films, and that’s why it is his signature film.


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